“Always resist the urge to start with too many characters; even a plant begins as a shoot before developing its peculiar branches.” This insightful observation, seemingly simple, offers a profound metaphor for the craft of creative writing.
Like a burgeoning plant, a compelling narrative doesn’t burst forth fully formed with an intricate network of characters and complex subplots. Instead, it commences as a singular, vital shoot—an idea, a core conflict, or a compelling voice—that gradually and organically expands into the rich, multifaceted world we, as readers, come to inhabit.
The initial “shoot” in creative writing represents the foundational element of a story. This could be a single character with a clear desire, a specific setting that sparks imagination, or a central premise that demands exploration. Rushing to introduce a multitude of characters, elaborate backstories, or convoluted plotlines at the outset can overwhelm both the writer and the reader. It’s akin to planting a sapling with too many branches already attached; the roots haven’t had time to establish, and the structure lacks inherent strength. A strong beginning, therefore, often focuses on establishing one or two key elements, allowing them to take root in the reader’s mind.
As the narrative progresses, the “shoot” begins to develop its “peculiar branches.” These branches are the secondary characters, the subplots, the thematic explorations, and the intricate details that enrich the story. Just as a plant’s branches grow in unique patterns, shaped by its environment and genetic code, a story’s elements should emerge naturally from its core. A new character might be introduced because their presence is necessary to challenge the protagonist or reveal a new facet of the central conflict. A subplot might sprout to deepen the thematic resonance or provide a moment of respite before a major turning point. This organic development ensures that every element serves a purpose, contributing to the overall strength and coherence of the narrative.
Moreover, the metaphor extends to the concept of revision and growth. A gardener doesn’t simply plant a seed and leave it; they nurture it, prune it, and guide its growth. Similarly, a writer’s first draft is rarely the final product. It’s the initial shoot, often raw and unrefined. Through subsequent revisions, the writer prunes away unnecessary elements, strengthens weak connections, and encourages the healthy development of the story’s branches. This iterative process allows the narrative to mature, its complexities to deepen, and its peculiar beauty to fully emerge.
In essence, the wisdom of starting small is about embracing the power of organic growth. It’s about trusting the narrative to reveal itself, character by character, plot point by plot point, rather than forcing a predetermined, overstuffed structure. By allowing the story to develop its branches naturally from a strong, central shoot, writers can cultivate narratives that are not only intricate and engaging but also deeply rooted and enduring.
*Shehu is the author of four poetry collections: Questions for Big Brother, Open Sesame, Icarus Rising and The River Never Returns. He is currently working on a poetry collection, a collection of short stories, and a collection of plays. He is also co-founder of the Abuja Writers Forum (AWF). He is also co-founder of the Abuja Writers Forum (AWF)
